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 | Using revealing composite portraits and case studies, psychologist Martha Stout exposes what the DSM-IV defines as "antisocial personality disorder." Put simply, sociopaths walk among us and they have no conscience. Stout reveals the brazen and... |
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 | Two women take a trip straight into Hell in the splatter movie REST STOP. Jess and Nicole are on a road trip, heading towards Hollywood. A rest stop provides a welcome break from the rigors of driving, but when Jess vanishes, Nicole comes face to... |
 | A period drama and a voyage of self-discovery comprise this double-feature. See individual titles for more details. |
 | Alex Ross, the wonderfully erudite and insightful music critic for The New Yorker, traces the shifting currents of classical music from the 1906 premiere of Richard Strauss's SALOME to the end of the 20th century. Along the way, he provides vivid... |
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 | Kate Bornstein, formerly a heterosexual man, is now a lesbian woman playwright and performance artist who writes about the problems of self-definition according to society's stringent rules. In this humorous approach to the treacherous terrain of... |
 | Hillbillies in trucks attack attractive young city-slickers, once more, in this sequel to 2006's REST STOP. When three travelers come looking for the butchered beauties of the first film, it offers the Rest Stop Killer a fresh batch of victims. This... |
 | REST STOP: Two women take a trip straight into hell in the splatter movie REST STOP. Jess and Nicole are on a road trip, heading towards Hollywood. A rest stop provides a welcome break from the rigors of driving, but when Jess vanishes, Nicole comes... |
