
Best 70s Southern Rock
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Awesome compilation. CCR at its best. Creedence Clearwater Revival was probably the greatest American singles band, one of the hardest-working American groups of any genre, and almost the only exponent of working-class sensibility in American rock & roll -- particularly California rock & roll -- after the advent of Haight-Ashbury and before the rise of punk.
Led by guitarist/vocalist/writer John Fogerty, the group simply pumped out classic rock singles, one after another, in much the same rockabilly spirit as Elvis Presley and Jerry Lee Lewis, adding some touches of New Orleans R&B and other relatively antediluvian sources. On its first album (Creedence Clearwater Revival), the band attempted to stretch out, as was then the fashion, but though the approach garnered a hit with "Suzie Q," an extended version of the Dale Hawkins classic, Creedence didn't really hit stride until Fogerty tightened up some three-minute songs. Then began the flood: "Bad Moon Rising," "Born on the Bayou," "Commotion," Down on the Corner," "Green River," "Have You Ever Seen the Rain," "I Heard It Through the Grapevine" (an extended song that worked), "Proud Mary," "Travelin' Band" and "Who'll Stop the Rain." All of this occurred between 1968 and 1973, when the group fell apart.
Perhaps best of all were "Lodi," the story of a working rocker's depression at being stuck in another out-of-the-way gin mill and his determination to beat everyone, and "Fortunate Son," a stab at the privileged that only kids from the wrong side of the ultra-hip San Francisco area could have felt so sharply. (Creedence arose from roughly the same town as the psychedelic bands, but came from much poorer families.) And after a time, Fogerty burned to prove that he was as much an artist as anyone in the Grateful Dead -- he apparently did not know that he was already more -- and the group tried to stretch out, to make nominally "progressive" music. Not all of this was unsuccessful, by any means -- "I Heard It Through the Grapevine" is more intense than any six minutes of Grateful Dead music on record -- but still, his metier was the single. Eventually, the group tried to achieve a communal balance, the other members of the quartet contributing songs to the final studio record, Mardi Gras, a noble but disappointing affair. Since then, it's all been repackages, except for the lamentable Live in Europe.
Review ID: 10000000004644585

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