 | A look into the life and career of Willie Dixon and the affect he had on many. Titles include "29 Ways," "I Think I Got the Blues," "It Don't Make Sense," "Crazy for my Baby," and others. |
 | Taj Mahal is a self-taught master of more than a dozen instruments including guitar, piano, harmonica, banjo and mandolin. Titles include "Cakewalk Into Town," "Sweet Home Chicago," "My Little Sugar Mama," and many other favorites. |
 | A look at the life and career of blues man Muddy Waters and his influence over both black and white musicians in almost every field of popular music. Titles include "Hoochie Coochie Man," "My Home is in the Delta," "Got My Mojo Working," and many... |
 | Albert King played giant blues that have managed to cut across the usual musical barriers and win widespread acclaim. Titles include "Blues Riff," "The Grass Ain't No Greener," "Let the Good Times Roll," and many others. |
 | Critically-acclaimed modern jazz pianist Bill Evans performs here in his most comfortable millieu, with only a bass and drums. Song selections include "Peacocks," "Quiet Now" and "I Do It For Love." |
| Critically-acclaimed modern jazz pianist Bill Evans performs here in his most comfortable millieu, with only a bass and drums. Song selections include "Peacocks," "Quiet Now" and "I Do It For Love." |
 | Founding bebop tenor saxophonist Dexter Gordon performs with his quartet in this public television showcase. Numbers include "On Green Dolphin Street," "Tanya, the Girl Upstairs" and "Polka Dots and Moonbeams." |
| Founding bebop tenor saxophonist Dexter Gordon performs with his quartet in this public television showcase. Numbers include "On Green Dolphin Street," "Tanya, the Girl Upstairs" and "Polka Dots and Moonbeams." |
| Founding bebop tenor saxophonist Dexter Gordon performs with his quartet in this public television showcase. Numbers include "On Green Dolphin Street," "Tanya, the Girl Upstairs" and "Polka Dots and Moonbeams." |
 | Legendary jazzman Phil Woods performs in an intimate quartet setting in this showcase for public television. |
