There are a lot of good REM albums and then there are the great ones. Document is one of the great ones. The casual listener will recognize a few awesome tracks (It's The End Of The World As We Know It And I Feel Fine, The One I Love etc.) but there is much more than a few hits to be found here. 11 fantastic pop/rock tunes make this a must own for any REM fan. 5 Stars.
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REM go buck-wild.
Review created: 10/25/02
by: Stairway2Drew-- a member of Epinions and Advisor in Music
Pros: Electrifying.
Cons: King of Birds.
Athens quartet REM, long the darlings of early-80's yuppies-in-training, all but gave their half-beatnik fanbase rampant coronaries by releasing 1987's Document. The pensive, mush-mouthed, indie-based pop that characterized earlier albums had been traded in for bona fide rock n' roll. The indie crowd collectively gasped. Document, no matter what some diehard REM-heads will tell you, is a great snapshot of a band transitioning. There was a tangible shift from Byrds-y jangle-pop to something slightly more accessible--- not that the sax break in the middle of "Fireplace" is exactly the stuff of..
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One of Their Best
Review created: 09/17/00
by: Rocketgirl -- a member of Epinions
Pros: Easy to listen to, Stipes voice
Cons: None really, but gotta leave room for AFTP
Automatic for the People was the first R.E.M. collection I heard and I loved it. I started buying some of their other stuff, hoping it would be just as good. I kind of had to laugh that they were being classified as "alternative rock," which to me just meant that their style was older rather than newer. So far, I haven't been disappointed. Because it took so long for me to get back into buying music, I was surprised that Document actually came before Automatic for the People, rather than after. I have heard, and still hear, "The One I Love," on the radio, whereas I rarely hear "Drive." This...
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The 100 Greatest Albums: 5
Review created: 09/08/03
by: Divine_Cheese -- a member of Epinions
Pros: REM get loud, proud and finally yell out their piece
Cons: Maybe the Wire cover is unnecessary
5} Document #5 - REM (IRS 1987) REM are a band who are as old as the hills - they seem to have been going since time immemorial. Since their post-punk origins at the very beginning of the 80s, the band have gone through several incarnations, but their finest work remains this 1987 breakthrough album. The 80s were an odd time for music as most of the commercial groups were either stadium-sized rockers or endless processed pop music. However, in the underground there were many rumblings which would influence music for years to come, and of these REM were by far the biggest rumble. REM had...
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Birthday party, cheesecake, jellybean boom...
Review created: 02/01/04
by: hellfudge -- a member of Epinions
Pros: Two big hits for the new fan, a few brilliant moments for the old fan
Cons: Some songs probably won't appeal much to those who just bought it for the hits.
There. Now you know another line, so the next time you hear "It's The End Of The World As We Know It (And I Feel Fine)", you can impress your friends by knowing five more words than they do. R.E.M. began to build a mainstream following with the release of Document, thanks to its two biggest singles, the aforementioned "End Of The World", with its shopping-list lyrics and catchy hook, and the dark and somewhat disturbing "The One I Love". Suddenly, you didn't have to follow "college music" to know who they were. Their next record would be released on a major label and the next after that would.
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The first "big" album from R.E.M.
Review created: 10/18/01
by: HawgWyld -- a member of Epinions
Pros: Great rock n' roll with an edge to it; one of the best from R.E.M.
Cons: Dark as heck, but who cares?
R.E.M. had established itself in the "college music scene" with previous albums, but this is the one that gained the band some major commercial attention. I'm sure I'll be roundly criticized for saying this, but this disc represents R.E.M. at its height. Indeed, it was all downhill for the band following this disc. Wait, wait. Let me explain. The albums that came out after this 1987 release all have kind of a pasty, over-produced sheen to them that kind of bleed the energy out of the recordings. A good number of those albums (Monster and Green, in particular) are a few great songs surrounded..