 | In the days before home video, when access to anything but first-run Hollywood movies was limited to repertory houses and college film societies, Hal Ashby's HAROLD AND MAUDE achieved cult status and became a surprise hit. In a broad sense, the film... |
 | Imaginative theology and a bigger-than-usual budget make Kevin Smith's (CHASING AMY, CLERKS) fourth film a kind of post-Catholic fantasy that only a comic-book enthusiast of his caliber could dream up. It concerns banished angels, Loki (Matt Damon)... |
 | With a digitally remastered soundtrack including new sound effects and new music along with never-before-seen restored footage, THE EXORCIST: THE VERSION YOU'VE NEVER SEEN pays tribute to this terrifying film, originally released on Christmas Day in... |
 | Bud Abbott and Lou Costello's "grand unifying monster" film and the first in their "Meet..." series, with the two bungling buddies as baggage handlers saddled with the ghoulish remains of Dracula (Bela Lugosi) and Frankenstein's monster (Glenn... |
 | This program contains eight classic Abbott and Costello comedies: MEXICAN HAYRIDE, ABBOTT AND COSTELLO MEET FRANKENSTEIN, ABBOTT AND COSTELLO MEET THE KILLER, BORIS KARLOFF, ABBOTT AND COSTELLO IN THE FOREIGN LEGION, ABBOTT AND COSTELLO MEET THE... |
 | Navin Johnson, a none-too-bright white boy raised by a family of black sharecroppers, somehow manages to reach adulthood without ever discovering he was adopted. His parents finally tell him the truth on his birthday and, shocked by the news, he... |
 | Navin Johnson, a none-too-bright white boy raised by a family of black sharecroppers, somehow manages to reach adulthood without ever discovering he was adopted. His parents finally tell him the truth on his birthday and, shocked by the news, he... |
 | Classic spaghetti westerns about the two bumbling brothers Trinity and Bambino. THEY CALL ME TRINITY and TRINITY IS STILL MY NAME! See individual titles for descriptions. |
 | This program contains eight classic Abbott & Costello comedies. Films include: ONE NIGHT IN THE TROPICS, BUCK PRIVATES, IN THE NAVY, HOLD THAT GHOST, KEEP 'EM FLYING, RIDE 'EM COWBOY, PARDON MY SARONG, and WHO DONE IT? Please see individual titles... |
 | Navin Johnson, a none-too-bright white boy raised by a family of black sharecroppers, somehow manages to reach adulthood without ever discovering he was adopted. His parents finally tell him the truth on his birthday and, shocked by the news, he... |
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